<P><EM><STRONG>architectura</STRONG>, Zeitschrift für Geschichte der Baukunst (Journal of the History of Architecture)</EM>, ist eine internationale Zeitschrift mit Aufsätzen – teils in englischer Sprache – zu Themen der Bau- und Architekturgeschichte sowie mit einem regelmäßigen Rezensionsteil. </P> <P>Neben der Historischen Bauforschung widmet sich die Zeitschrift Themen der Bau- und Stadtbaugeschichte sowie der Architekturgeschichte von der Antike bis in die Gegenwart. Die Aufsätze werden durch die Herausgeber und durch unabhängige Berichterstatter (peers) geprüft. </P> <P>Die <EM>architectura</EM> ist im Arts and Humanities Citation Index und im European Reference Index for the Humanities and the Social Sciences gelistet. </P> <P>Die Zeitschrift erscheint zweimal jährlich – seit 2018 bei De Gruyter, zuvor im Deutschen Kunstverlag. </P>

Zeitschrift für Geschichte der Baukunst  /  Journal of the History of Architecture

architectura

Architectura

<article-title>Frontmatter</article-title>

<abstract>
<title style='display:none'>Abstract</title>
<p>In a time concerned with the emancipation of architecture from the mechanical arts to the liberal ones, Filarete challenged the mainstream rational-objective approach by proposing a poietic definition of architecture which spanned beyond craft and science. »Non è altro lo edificare se none un piacere volunptario…« is not yet another account of architecture, but it has become its supreme definition, possessing an almost universal value and demonstrating a vision ahead of its time. This paper investigates the multiple facets of this definition by situating it in the context of Renaissance architectural practice and within the framework of Filarete’s architectural treatise. Humanistic to the core, this definition transcends the usual anthropomorphic perspective on architecture (regarding the proportions, styles or expressions derived from the human body) and goes beyond the rational-material approach, addressing the sphere of sensitivity or even the realm of the spiritual. For Filarete, architectural creation is a true poietic act, consecrated to symbolism and emotion, while genuinely rooted in its manual, material dimension.</p></abstract>

Abstract

<article-title>»Non è altro lo edificare se none un piacere <italic>uolunptario</italic> …«</article-title>

»Non è altro lo edificare se none un piacere  …«

<abstract>
<title style='display:none'>Abstract</title>
<p>The Old Church at Amsterdam showcases a wooden model for a huge domed church with a centralized ground-plan, constructed circa 1700 on behalf of local lawyer Nicolaas Listingh. The enormous further expansion of the town in the second half of the 17<sup>th</sup> century made such a venture logical. Listingh’s project could meet the need for several new churches of a normal size at once.</p>
<p>The never executed model was characterized by one special main feature with an important iconographic significance: the large concave buttresses that connect the high-rising central drum with the lower ambulatory. They should be interpreted as a reference to King Salomo’s Temple of Jerusalem. In contemporary reconstructions its substructure was supported all around by a row of gigantic concave buttresses. As the Dutch Calvinists regarded their country as the new Israel, not only a few synagogues, but also some protestant churches were fitted out with them.</p></abstract>

<article-title>Salomonische Architektur in den Niederlanden</article-title>

Salomonische Architektur in den Niederlanden

<abstract>
<title style='display:none'>Abstract</title>
<p>Based on his unpublished memoirs, this essay describes the university and practical training of Fritz Beblo (1872–1947), who was in charge of the Building department of Strasbourg from 1903 to 1918. Beblo was a student of the architecture teacher Carl Schäfer in Karlsruhe, who was the starting point of a wide-ranging network of architects: the Schäfer students formed a sworn fraternity and supported each other in their professional advancement. Thus, out of loyalty to his teacher and his fraternity, Beblo only hired employees who had studied under Schäfer. In this way, he simultaneously guaranteed a uniform artistic understanding in his team and was able to let his employees work on the individual building projects independently. In this way, a considerable body of high-quality buildings in regionalist-reductionist forms was created, which became exemplary for public and private architecture in Alsace until the interwar period.</p></abstract>

<article-title>Fritz Beblo und das Straßburger Hochbauamt 1903–1918</article-title>

Fritz Beblo und das Straßburger Hochbauamt 1903–1918

<article-title>Forget and rewrite</article-title>

<article-title>Richard Meiers Jubiläumskirche</article-title>

<article-title>Planen und Bauen unter Leopold III. Friedrich Franz von Anhalt-Dessau (1758–1817)</article-title>

Planen und Bauen unter Leopold III. Friedrich Franz von Anhalt-Dessau (1758–1817)

<article-title>Der Prediger. Geschichte eines Gmünder Bauwerks durch die Jahrhunderte. Museum im Prediger Schwäbisch Gmünd (Museumspublikation 64)</article-title>

Der Prediger. Geschichte eines Gmünder Bauwerks durch die Jahrhunderte. Museum im Prediger Schwäbisch Gmünd (Museumspublikation 64)

<article-title>Kurzbiographien der Autorinnen und Autoren</article-title>

Kurzbiographien der Autorinnen und Autoren

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»architectura«, the German-English journal on building research has been published since 1971, edited by Professor Dorothée Sack and Professor Cramer (TU Berlin) since 2003. It focuses on historic and archaeological building research, as well as newer building history and history of architecture, until today.

<P>Prof. Dr.-Ing. Klaus Tragbar<BR><A href="https://www.zikg.eu/personen/ktragbar">Zentralinstitut für Kunstgeschichte</A><BR>Katharina-von-Bora-Straße 10, 80333 München<BR><A href="mailto:k.tragbar@zikg.eu">k.tragbar@zikg.eu</A> </P> <P>Prof. Dr.-Ing. Andreas Schwarting<BR><A href="https://www.htwg-konstanz.de/master/architektur/personen/professoren/professoren/prof-dring-andreas-schwarting/">Hochschule Konstanz</A><BR>Brauneggerstraße 55, D-78462 Konstanz <BR><A href="mailto:andreas.schwarting@htwg-konstanz.de">andreas.schwarting@htwg-konstanz.de</A></P> <P>Prof. Dr. Barry Bergdoll <BR><A href="http://www.columbia.edu/cu/arthistory/faculty/Bergdoll.html">Columbia University, Art History and Archaeology</A><BR>1190 Amsterdam Ave., New York, NY 10027, USA <BR><A href="mailto:bgb1@columbia.edu">bgb1@columbia.edu</A> </P>

<P>Prof. Dr.-Ing. Klaus Tragbar<BR><A href="https://www.zikg.eu/personen/ktragbar">Zentralinstitut für Kunstgeschichte</A><BR>Katharina-von-Bora-Straße 10, 80333 München<BR><A href="mailto:k.tragbar@zikg.eu">k.tragbar@zikg.eu</A> </P> <P><BR>Prof. Dr.-Ing. Andreas Schwarting<BR><A href="https://www.htwg-konstanz.de/master/architektur/personen/professoren/professoren/prof-dring-andreas-schwarting/">Hochschule Konstanz</A><BR>Brauneggerstraße 55, D-78462 Konstanz<BR><A href="mailto:andreas.schwarting@htwg-konstanz.de">andreas.schwarting@htwg-konstanz.de</A> </P> <P></P> <P></P> <P>Prof. Dr. Barry Bergdoll<BR><A href="http://www.columbia.edu/cu/arthistory/faculty/Bergdoll.html">Columbia University, Art History and Archaeology</A><BR>1190 Amsterdam Ave., New York, NY 10027, USA<BR><A href="mailto:bgb1@columbia.edu">bgb1@columbia.edu</A> </P>

Die <EM>architectura</EM> erscheint seit 1971. Von 2003 bis 2014 wurde sie von Dorothée Sack und Johannes Cramer (Technische Universität Berlin) herausgegeben.

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Der Prediger. Geschichte eines Gmünder Bauwerks durch die Jahrhunderte. Museum im Prediger Schwäbisch Gmünd (Museumspublikation 64)

Elmar Kossel

Aus der Zeitschrift: architectura

DOI: https://doi.org/10.1515/atc-2021-2008

Online veröffentlicht:

01 Mar 2024

Weitere Artikel in diesem Heft:

architectura Hefte

Volume 51 (2021)

Volume 50 (2020)

Volume 49 (2019)

Volume 48 (2018)

Volume 47 (2017)

Volume 46 (2016)

Volume 45 (2015)

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