<P><EM><STRONG>architectura</STRONG>, Zeitschrift für Geschichte der Baukunst (Journal of the History of Architecture)</EM>, ist eine internationale Zeitschrift mit Aufsätzen – teils in englischer Sprache – zu Themen der Bau- und Architekturgeschichte sowie mit einem regelmäßigen Rezensionsteil. </P> <P>Neben der Historischen Bauforschung widmet sich die Zeitschrift Themen der Bau- und Stadtbaugeschichte sowie der Architekturgeschichte von der Antike bis in die Gegenwart. Die Aufsätze werden durch die Herausgeber und durch unabhängige Berichterstatter (peers) geprüft. </P> <P>Die <EM>architectura</EM> ist im Arts and Humanities Citation Index und im European Reference Index for the Humanities and the Social Sciences gelistet. </P> <P>Die Zeitschrift erscheint zweimal jährlich – seit 2018 bei De Gruyter, zuvor im Deutschen Kunstverlag. </P>

Zeitschrift für Geschichte der Baukunst  /  Journal of the History of Architecture

architectura

Architectura

<article-title>Frontmatter</article-title>

<abstract>
<title style='display:none'>Abstract</title>
<p>Since the publication of Volume I of Dieter Ohly’s Die Aegineten in 1976 and the present author’s monograph on the Aphaia temple’s architecture in 1993, further ceramic, sculptural, and archaeological research has problematized Ohly’s late 6<sup>th</sup> century BC date for the burning of the archaic temple, the construction of its successor from around 505 BC, and the replacement of its east pediment (›East I‹) with another (›East II‹) around 485 BC. An alternative thesis (<xref ref-type="bibr" rid="j_atc-2019-2002_ref_063">Stewart 2008</xref>; et al.) points to the discovery of burned fragments of the archaic temple in the construction fills of its successor along with attic black figure pottery contemporary with the extensive ›Perserschutt‹ destruction debris from the Athenian agora. It therefore attributes the old temple’s destruction to the invading Persians in 480 BC and its replacement to the 470s. This article has sought an architectural ›third way‹ out of this impasse.</p>
<p>Research on the later temple has confirmed the existence of ›surplus‹ horizontal geisa with sockets in the style of the west pediment, which Ohly connected with some ›surplus‹ sculptures from the altar court, and attributed to East I. Yet the latter never proceeded beyond its (unfinished) corner geisa, ruling out Ohly’s theory of its installation on the temple and later replacement.</p>
<p>Together with the extensive epigraphical data on oversight procedures in Greek temple building, and other evidence from the site, all this points to a rejection of one of the pediments by an ad hoc building committee before installation, its rapid replacement by East II, and entire construction lasting not more than seven years.</p>
<p>Clear traces of the same architect at the Delion on Paros in the 480s and on the ›Temple of Juno Lacinia‹ at Agrigento around 460 BC, all but irreconcilable with Ohly’s chronology, now are best explained by the post-Persian date for the new temple signaled by the ceramic and stratigraphic evidence noted above (<xref ref-type="bibr" rid="j_atc-2019-2002_ref_063">Stewart 2008</xref>; et al.).</p>
</abstract>

Abstract

<article-title>Neues zu den Giebeln des frühklassischen Tempels der Aphaia auf Aegina und zu anderen Werken des ›Aphaia-Architekten‹</article-title>

Neues zu den Giebeln des frühklassischen Tempels der Aphaia auf Aegina und zu anderen Werken des ›Aphaia-Architekten‹

<abstract>
<title style='display:none'>Abstract</title>
<p>Four central concepts of the writings of Francesco di Giorgio (1439 –1501) are discussed: spirienza, dottrina, ingegno, and scienzia. The spirienza can be both »autoptic study« and »experimentation«. It is rooted in Francesco di Giorgio’s original training and has had a lasting influence on his method. The dottrina, »erudition«, serves both Francesco di Giorgio personally and architects in general to move from practitioner to learned architect. The ingegno, talent, is interpreted as the innate creativity and ability to find innovative solutions, it thus plays a central role as a counterpart to the dottrina. Finally, scienzia means a systematic method in the practice of architecture. This gains great importance, especially in the later Treatise, when Francesco di Giorgio emphasizes that in architecture two methods must complement each other: archaeological investigation and the study of (ancient) literature.</p>
</abstract>

<article-title>Die vier Elemente der Architekturtheorie des Francesco di Giorgio: <italic>spirienza</italic>, <italic>dottrina</italic>, <italic>ingegno</italic> und <italic>scienzia</italic></article-title>

Die vier Elemente der Architekturtheorie des Francesco di Giorgio: , ,  und 

<abstract>
<title style='display:none'>Abstract</title>
<p>Using examples from the period of Italian fascism and the National Socialist era in Germany, the relationship of modernism and modern architects to power is examined. The focus is on the changing and in part contradictory connotations to which modernism was exposed. The field of state architecture in both totalitarian regimes provide the occasion to discuss a basic problem of modernism: The instrumentalisation of its formal language for any ideology. For the Italian context, Giuseppe Terrgani’s Casa del Fascio in Como and the Florentine railway station of the Gruppo Toscano are used as examples; for Nazi Germany, the positions of Wilhelm Pinder and the system-relevant role of industrial building, as well as the myth of the flight into industrial building as an outlook into the time after 1945.</p>
</abstract>

<article-title>Das »Haus aus Glas« und sein langer Schatten</article-title>

Das »Haus aus Glas« und sein langer Schatten

<abstract>
<title style='display:none'>Abstract</title>
<p>During the Second World War, more than 10,000 Polish soldiers were interned in Switzerland. Among them were prominent architects, including Marek Leykam and Bohdan Garliński, who upon returning to Poland, left their mark on postwar modernism. Leykam was later marginalized for his buildings that were allegedly too International in style. Garliński became one of the key ideologists of Socialist Realism in the First General Exhibition of Architecture of the People’s Republic of Poland.</p>
<p>This article is the first to re-trace their years in Switzerland and their contacts with Alfred Roth, CIAM member and former employee of Le Corbusier. During the war, Roth pursued plans for the reconstruction of Europe, and it was he who supplied the internees with architectural literature and support. Their intersections exemplify the larger history of Switzerland’s insular role during the war, and Poland’s immensely complex architectural scene in the early 1950s.</p>
</abstract>

<article-title>Wieder aufbauen nach dem Krieg. Alfred Roth und die in der Schweiz internierten polnischen Architekten</article-title>

Wieder aufbauen nach dem Krieg. Alfred Roth und die in der Schweiz internierten polnischen Architekten

<article-title>Evoking the New City</article-title>

<article-title>Die Ökonomisierung des Raums</article-title>

<article-title>Kurzbiographien der Autoren</article-title>

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<P>Prof. Dr.-Ing. Klaus Tragbar<BR><A href="https://www.zikg.eu/personen/ktragbar">Zentralinstitut für Kunstgeschichte</A><BR>Katharina-von-Bora-Straße 10, 80333 München<BR><A href="mailto:k.tragbar@zikg.eu">k.tragbar@zikg.eu</A> </P> <P>Prof. Dr.-Ing. Andreas Schwarting<BR><A href="https://www.htwg-konstanz.de/master/architektur/personen/professoren/professoren/prof-dring-andreas-schwarting/">Hochschule Konstanz</A><BR>Brauneggerstraße 55, D-78462 Konstanz <BR><A href="mailto:andreas.schwarting@htwg-konstanz.de">andreas.schwarting@htwg-konstanz.de</A></P> <P>Prof. Dr. Barry Bergdoll <BR><A href="http://www.columbia.edu/cu/arthistory/faculty/Bergdoll.html">Columbia University, Art History and Archaeology</A><BR>1190 Amsterdam Ave., New York, NY 10027, USA <BR><A href="mailto:bgb1@columbia.edu">bgb1@columbia.edu</A> </P>

<P>Prof. Dr.-Ing. Klaus Tragbar<BR><A href="https://www.zikg.eu/personen/ktragbar">Zentralinstitut für Kunstgeschichte</A><BR>Katharina-von-Bora-Straße 10, 80333 München<BR><A href="mailto:k.tragbar@zikg.eu">k.tragbar@zikg.eu</A> </P> <P><BR>Prof. Dr.-Ing. Andreas Schwarting<BR><A href="https://www.htwg-konstanz.de/master/architektur/personen/professoren/professoren/prof-dring-andreas-schwarting/">Hochschule Konstanz</A><BR>Brauneggerstraße 55, D-78462 Konstanz<BR><A href="mailto:andreas.schwarting@htwg-konstanz.de">andreas.schwarting@htwg-konstanz.de</A> </P> <P></P> <P></P> <P>Prof. Dr. Barry Bergdoll<BR><A href="http://www.columbia.edu/cu/arthistory/faculty/Bergdoll.html">Columbia University, Art History and Archaeology</A><BR>1190 Amsterdam Ave., New York, NY 10027, USA<BR><A href="mailto:bgb1@columbia.edu">bgb1@columbia.edu</A> </P>

»architectura«, the German-English journal on building research has been published since 1971, edited by Professor Dorothée Sack and Professor Cramer (TU Berlin) since 2003. It focuses on historic and archaeological building research, as well as newer building history and history of architecture, until today.

Die <EM>architectura</EM> erscheint seit 1971. Von 2003 bis 2014 wurde sie von Dorothée Sack und Johannes Cramer (Technische Universität Berlin) herausgegeben.

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Frontmatter

Aus der Zeitschrift: Architectura

DOI: https://doi.org/10.1515/atc-2019-2001

Online veröffentlicht:

31. März 2022

Weitere Artikel in diesem Heft:

architectura Hefte

Band 53 (2023)

Band 52 (2022)

Band 51 (2021)

Band 50 (2020)

Band 49 (2019)

Band 48 (2018)

Band 47 (2017)

Band 46 (2016)

Band 45 (2015)

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