112 Seiten mit ca. 100 Abbildungen, 26,5 × 21,5 cm, Broschur
Erscheint im November 2022
With contributions by Bernadette Bröskamp, Julien Chapuis, Cäcilia Fluck, Hans-Ulrich Kessler, Nathalie Küchen, Barbara Lenz, Tanja-Bianca Schmidt, Andrew Sears et al.
English edition
Protecting, healing, or punishing — people of various eras and origins have attributed such powers to the sculptures that are being presented together here for the fi rst time: be it the sculpture of the Mangaaka from what is today the Republic of Congo, the protective goddess Mahamayuri from China, or the Maria on the globe from Southern Germany. Forty-fi ve objects created between the fourth and the nineteenth century from two museums in Berlin provide a vivid testimony to the ever-present need for protection and orientation when dealing with individual or social crises. They represent the existence of an invisible world of gods, spirits, or ancestors, and create a connection between this world and a “diff erent reality.” As a result of how they are presented in museums, their context of use is, however, often lost — a situation that is reflected on by the authors of this book.
Exhibition
Humboldt Forum Berlin
Fall 2022