The New Objectivity. A Centennial

The epochal term “New Objectivity” became synonymous with the cultural awakening of the 1920s, and with the rationalism and objective precision to be observed in art as well as architecture, design, photography and literature at that time. In 1925, Gustav F. Hartlaub coined the term with an exhibition of the same name. 100 years later, the exhibition shown then at Kunsthalle Mannheim will be scrutinized critically and reconstructed digitally. In addition to works by key artistic figures such as Max Beckmann, Otto Dix and George Grosz, the new exhibition will also present overlooked positions, especially those of female artists such as Anita Rée and Lotte Laserstein. The scope will also be extended topographically, e.g. to Switzerland and Italy, as well as chronologically, to the 1930s and early 1940s.

Kunsthalle Mannheim
Friedrichsplatz 4
68165 Mannheim

More information about the exhibition.

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More on the book The New Objectivity can be found here.